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02-Feb-2016 22:25

has been an art form betrothed to passive figures of women, often meant to tantalize and seduce the (assumed) male viewer, or to embody idealized notions of athleticism and power in the male figure.It wasn’t until the first rumblings of Modernism at the end of the 19th century that some painters began Jana Euler’s first institutional solo exhibition, held at Kunsthalle Zurich in 2014, was titled after her series “Where the energy comes from” (2014), three larger-than-life paintings depicting non-regulated sockets from different European countries.

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The rounded figure is rendered in broad brushstrokes of aquamarine, orange, and pink.Euler has made clear how she feels about having to work under constant scrutiny since her 2009 exhibition at the gallery Pro Choice in Vienna, when she illustrated the chore of professional networking through a pantheon of contemporary art celebrities.